The titles of François Couperinís harpsichord pieces have puzzled generations of players and listeners. Many refer to theatrical spectacles; others are portraits, sympathetic or satirical, of characters in the composerís circleócourtiers, aristocrats, musicians, actors and actresses.
This book opens a door into Couperinís world. Jane Clark introduces us to some of the characters that inhabit the Pièces de Clavecin, whose lives, sometimes dramatic and even scandalous, are illustrated by quotations from contemporary letters, songs and satirical epigrams. Derek Connon explores the literary and theatrical world in which the composer moved, particularly the rival French and Italian Comédies, the latter with its links to the improvised Commedia dell Arte. The heart of the book is an analytic catalogue of the individual movements from all 27 Ordres, explaining what is known about the meaning of each title. Even to the composers contemporaries, not every reference was transparent: where mysteries remain, alternative possible explanations are presented here.
The Mirror of Human Life was first published by Kings Music in 2002. This Keyword Press edition incorporates new facts that have emerged since, particularly about Couperins connections with the theatre; it includes a new essay by Jane Clark on the architecture of the Ordres, and some striking illustrations from contemporary sources.